Killer Mike thinks there is a Conspiracy Against hip hop

Killer Mike in his "Grandma's House" music video from July 2010. In January 2011, Killer Mike aka Mike Bigga expressed his belief that there's a conspiracy against hip hop artists.

Killer Mike Examines His Belief of a Conspiracy Against Hip-Hop

Hip-hop has grown into one of the most influential cultural movements worldwide, dominating music charts and shaping global trends. Yet, as its popularity has surged, so too has scrutiny on its artists, with many facing legal troubles at the peak of their careers. Killer Mike, now performing under the name Mike Bigga, believes this is not coincidental. The Atlanta rapper and outspoken citizen has voiced his concerns about what he perceives as a deliberate effort to undermine hip-hop’s success and its artists.

Killer Mike came to these conclusions by looking at how much wealth is in hip-hop. He believes all of the money being made, legitimately, by young, Black, men is drawing government attention. As a result, he has decided to give his take on matters. Mike Bigga just pointed at what’s happened, recently, with several of hip-hop’s biggest figures.

The Rise of Legal Troubles in Hip-Hop

In the early days of hip-hop, legal troubles for artists were not uncommon, but they often stemmed from events that occurred before their careers took off. Tupac Shakur’s high-profile arrests in the 1990s brought widespread attention to the issue. However, by the late 1990s and into the 2000s, the pattern began to shift. Artists who had already achieved significant success were suddenly facing legal challenges that threatened to derail their careers.

Killer Mike points to several prominent examples to illustrate his point. T.I., his label boss, reached superstar status with his 2008 album Paper Trail. He was sentenced to a year in prison shortly after the Paper Trail release. Similarly, Lil Wayne experienced the same circumstance. Wayne has been a dominant force in hip-hop over the past three years. However, he faced a prison sentence at the height of his career after the release of his Young Money compilation album. In fact, he’s only been free for two months.

Even Ja Rule landed in legal troubles. He was on the cusp of a major comeback. However, was sentenced to over three years in prison just as he began regaining traction in the industry. Both Ja Rule and Lil Wayne were detained on the same night. The rappers were together in New York City and both were caught in possession of guns, which is illegal in NYC.

Killer Mike’s Perspective

Killer Mike believes these legal troubles are not mere coincidences. When you looking at the pattern, it’s hard not to see a connection, according to Mike. Also, he expressed that hip-hop has become too big and too powerful. It’s not just music anymore; it’s a cultural force that influences everything from fashion to politics. As a result, he acknowledged that some people don’t like that.

Mike theorizes that the government and other powerful institutions view hip-hop as a threat due to its ability to mobilize young people, particularly those from marginalized communities. Hip-hop gives a voice to the voiceless. So, according to Mike, it’s no surprise that those in power might want to silence that voice.

The Role of Race in Hip-Hop’s Scrutiny

Killer Mike also highlights the racial dynamics at play in the targeting of hip-hop artists. The genre, which is predominantly created and consumed by Black artists and audiences, often faces criticism and stereotypes that other genres do not. Hip-hop is full of young, rich Black men, which Mike touched on. He also expressed that, for some people, that’s just too much to handle.

He references the steps taken by figures like Suge Knight, who famously hired police officers as part of his security team during Death Row Records’ heyday. However, the former Death Row CEO may not be the best example to use. Not only did the perception of that label lead to its downfall, Knight played into said persona. But other label-heads have used police protection, as well.

In addition, Diddy has been known to hire cops, working off-duty, to be a part of his security detail.

Examples of Industry Challenges

Beyond individual arrests, Killer Mike points to systemic challenges faced by hip-hop artists. He believes these challenges are part of a broader effort to delegitimize the genre and its artists. For instance, hip-hop has historically faced resistance from mainstream institutions, whether through censorship, exclusion from award shows, or negative media coverage.

In the past, outsiders have tried to paint hip-hop as something dangerous or illegitimate. This is something Mike acknowledged. However, the truth is, hip-hop is one of the most authentic forms of expression we have. It’s real, and that’s why people connect with it.

The Importance of Unity in Hip-Hop

Killer Mike emphasizes the need for unity within the hip-hop community to counteract these challenges. He believes that artists, producers, and fans must come together to protect the culture and support one another. He urged supporters of the culture to not let anything divide the culture. Also, he urged people to stand strong and keep pushing forward.

Mike also encourages artists to be mindful of their actions and to take steps to protect themselves. As a result, he emphasized thinking and being smarter. In addition, he urged thinking ahead and making sure no one is giving anyone an excuse to take them down.

Hip-Hop’s Resilience

Despite the challenges, Killer Mike remains optimistic about hip-hop’s future. He believes that the genre’s resilience and adaptability will allow it to continue thriving. Hip-hop has always been about overcoming obstacles. That’s what makes it so powerful. No matter what happens, the culture always finds a way to rise above it.

Mike points to the success of artists like Jay-Z, who have not only achieved commercial success but have also used their platforms to advocate for social change. Hip-hop is evolving, which is something Mike pointed out. Artists are not just making music; artists are making history.”

Conclusion

Killer Mike’s assertion that there is a conspiracy against hip-hop reflects his deep concern for the genre and its artists. While some may dismiss his claims as speculative, the patterns he highlights cannot be ignored. From high-profile arrests to systemic challenges, hip-hop has faced its share of hurdles. Yet, as Mike reminds us, the genre’s strength lies in its ability to persevere.

As hip-hop continues to grow and influence the world, its artists and fans must remain vigilant. By supporting one another and staying true to the culture, they can ensure that hip-hop remains a powerful force for expression and change. For Killer Mike, the fight to protect hip-hop is far from over—but it’s a fight worth taking on.