Papoose airs 50 Cent out on diss track “Agent Provocateur” alleging 50 has diabetes, herpes, and that Floyd Mayweather punched him [VIDEO]

The Brooklyn rapper alleges 50 Cent lied about being shot nine times and attacks his health, sexuality, and loyalty

Papoose released “Agent Provocateur,” a 3-minute diss track targeting 50 Cent, last night (March 11) The video was posted to X by @Billionairepolo and features the Brooklyn rapper delivering continuous verses over a Ron Browz-produced beat with no hook or chorus. The track addresses longstanding tensions between the two New York rappers. Meanwhile, the visual accompaniment shows Papoose in various New York locations including subway stations, elevators, and dimly lit streets while wearing a black beanie and camouflage jacket.

The post has generated 728 replies, 5,429 likes, and over 228,000 views. Additionally, the track reignites a feud dating back to 2005 involving comments 50 Cent made about Papoose’s then-wife Remy Ma. Meanwhile, fans remain divided on whether the diss will provoke a response from 50 Cent, who has dismissed previous attempts by Papoose as unworthy of acknowledgment.

Papoose Alleges 50 Cent Lied About Being Shot Nine Times

The opening verse challenges 50 Cent’s origin story of surviving nine gunshots in 2000, with Papoose claiming the actual number was five. “His claim to fame was I got shot nine times, but the truth is you only got shot five times / He lied cuz he wanted to get shot more than Tupac,” Papoose raps. Therefore, he frames 50’s entire career foundation as built on exaggeration, comparing it unfavorably to Tupac Shakur’s 1994 Quad Studios shooting.

Papoose continues by attacking 50’s credibility with G-Unit members, rapping “G-Unit not Queens, don’t respect you, they know you a joke / You clown, you from Queens but pay Bronx niggas to hold you down.” Additionally, he references alleged disloyalty to Tony Yayo and Lloyd Banks, questioning whether tensions stemmed from jealousy over Banks’ lyrical ability. The verse also brings up the rumored 2014 altercation with Floyd Mayweather, stating “Try to take Mayweather money, put you in your place / Heard that story about how Floyd punched you in your face.”

The track dismisses 50’s 2005 film Get Rich or Die Tryin‘ as fabricated, with Papoose calling the movie “fake” and questioning the authenticity of the dramatic scenes. Meanwhile, he references the 2000 stabbing incident involving Black Child from Murder Inc. and the 2008 chain-snatching in Angola involving Bruno Carvalho. The bars aim to dismantle 50’s street credibility by highlighting moments where his toughness was allegedly exposed as performative.

Track Targets 50 Cent’s Health, Sexuality, and G-Unit Fallout

Papoose escalates with personal health allegations, rapping “Heard you diabetic, take care of yourself, you getting older / If they amputate you I hope it’s your head from your shoulders.” The diabetes reference targets 50’s physical condition, while also bringing up his 2015 bankruptcy filing. Therefore, Papoose frames financial and health struggles as signs of decline rather than the invincibility 50 projects publicly.

Sexual allegations appear throughout the track, including references to a photo allegedly showing 50 holding a dildo and wordplay twisting 50’s “Get the Strap” catchphrase into “get the strap on.” Additionally, Papoose alleges 50 contracted herpes, rapping “Hottin at yu got herpes makes yo a fuck boi / Why yu don’t just admit like NBA Young Boy,” comparing him to NBA YoungBoy who publicly acknowledged having the virus. The Vivica Fox line implies graphic acts from their 2003 relationship.

The G-Unit drama receives extensive attention, with Papoose calling out 50’s treatment of former group members. He raps about 50 disrespecting Lloyd Banks during his father’s death, abandoning his son Marquise Jackson, and exploiting Young Buck and The Game. Meanwhile, he dismisses 50’s relationship with Eminem as a “slave master” dynamic. Tony Yayo gets called a “cockroach” while Papoose predicts “G-Unit fallin’ like dominoes / Not the pizza shop squeeze the glock and they all be ghosts.”

Feud Stems from 2005 Tensions Over Remy Ma and Recent Social Media Trolling

The conflict between Papoose and 50 Cent traces back to 2005 when 50 made public comments criticizing Remy Ma regarding her associations and career choices during industry rivalries involving G-Unit and other labels. The feud simmered for years with occasional barbs but reignited in early 2026 through social media. Therefore, the current escalation represents nearly two decades of accumulated tension rather than a sudden dispute.

In early 2026, 50 Cent posted memes and trolling content targeting Papoose’s personal life, including references to his relationships and public image. One meme involved Papoose and boxer Claressa Shields, which Papoose interpreted as disrespectful. Additionally, 50 dismissed Papoose’s previous response efforts on Instagram, suggesting he needed a hit record before warranting acknowledgment. This prompted Papoose to release a “Many Men” freestyle directly dissing 50 on his own beat.

The release of “Agent Provocateur” marks Papoose’s latest direct response, framing 50 Cent as an instigator or “agent provocateur” in hip-hop conflicts. The title suggests 50 deliberately provokes feuds for attention rather than genuine grievances. Meanwhile, 50 has not issued a direct lyrical response to any of Papoose’s recent tracks, maintaining his strategy of dismissing challenges from artists he considers beneath his commercial level.

Papoose Revives Floyd Mayweather Punch Rumors

One of the most striking allegations in “Agent Provocateur” involves the rumored 2014 altercation between 50 Cent and boxer Floyd Mayweather. Papoose raps, “Try to take Mayweather money, put you in your place / Heard that story about how Floyd punched you in your face.” Therefore, he frames the incident as 50 being physically dominated by someone outside of hip-hop. Thus, undermining his tough-guy image.

The rumored incident allegedly occurred during a dispute over money between the two former friends who had previously been inseparable. Reports suggested tension arose when 50 Cent attempted to claim credit or compensation related to Mayweather’s business ventures. Additionally, the fallout led to a highly publicized social media feud between the two in 2019. Both sides traded insults about reading abilities, business acumen, and personal lives.

By bringing up the Mayweather punch, Papoose positions 50 as someone who talks tough but gets handled when confronting actual fighters. Meanwhile, the bar connects to broader themes in the track about 50’s alleged phoniness and willingness to engage in conflicts he cannot win. The Mayweather reference serves as another example of 50 being “put in his place” by figures who possess real power or physical capability. Thus, contrasting with the street credibility 50 claims through his music and public persona.

Fans Debate Whether Diss Track Will Provoke 50 Cent Response

The video generated mixed reactions on X, with fans praising Papoose’s lyricism while questioning whether the track matters given 50’s non-response strategy. One user wrote, “Pap is a lyrical genius always nice always creative amazing amazing amazing,” receiving 187 likes. Another commented, “Anyone say pap didn’t do his thing on this is a liar and I’m a 50 fan but this is hip hop,” garnering 169 likes. Additionally, “Straight fiyah” earned 92 likes, reflecting appreciation for Papoose’s technical ability.

Skeptical responses questioned the track’s relevance and impact. “But does anybody care” appeared in replies, while another user posted, “Papoose 50 will bury him. Who is papoose? Weak,” receiving 43 likes. One fan wrote, “I see what papoose is trying to do and for that exact reason I am not listening to this bs,” earning 55 likes. Therefore, the divide reflects broader debates about whether diss tracks matter when the target refuses to engage.

Calls for 50 Cent to respond also appeared throughout the thread. “Every time someone take a shot at 50 and we get no response all the 50 fans want to talk about how much money he got. Tell him to take that money and go buy some bars,” one user posted, receiving 47 likes. Another wrote, “Cook that Wanksta. No ducking smoke, no excuses from fanbase. Let him respond asap, if he claims he is a rapper,” with 44 likes. Meanwhile, one fan addressed generational criticism by posting, “I hate that y’all are mad at rappers rapping and then saying ‘corny’…. Mainly you GenZ rugrats,” earning 389 likes.

Papoose Continues Pattern of Calling Out Hip-Hop Figures

Papoose has built a reputation for lyrical confrontations with high-profile figures throughout his career. His willingness to engage in feuds with commercially successful artists demonstrates his commitment to traditional battle rap values even when facing opponents with larger platforms. Therefore, “Agent Provocateur” fits a pattern of Papoose positioning himself as a purist willing to challenge perceived disrespect regardless of commercial considerations.

The Brooklyn rapper’s technical skill remains undisputed among hip-hop purists, with his multi-syllable rhyme schemes and wordplay consistently praised. However, his commercial success has not matched his lyrical reputation, which critics cite when questioning the impact of his diss tracks. Additionally, his marriage to Remy Ma connects him to various industry conflicts, as attacks on her often become catalysts for his responses.

The “Bars on Wheels” series under which this video appears represents Papoose’s ongoing commitment to raw lyricism over high-budget production. Meanwhile, his direct promotion of the track on X with multiple posts demonstrates his understanding of modern hip-hop’s reliance on social media for amplification. Whether 50 Cent responds remains uncertain, but Papoose’s willingness to continue engaging suggests the feud will persist regardless of acknowledgment from his target.

Conclusion

Papoose’s “Agent Provocateur” represents an unrelenting lyrical assault on 50 Cent. Thus, addressing everything from his shooting story to his health to his treatment of G-Unit members. The 3-minute track with no hook demonstrates Papoose’s commitment to bars over commercial appeal. Therefore, prioritizing lyrical density and direct confrontation. Additionally, the video’s composite panel format and archival imagery reinforce the historical nature of their conflict while grounding allegations in specific incidents.

The mixed reception reflects hip-hop’s evolving relationship with diss tracks in the streaming era. While some fans celebrate Papoose’s technical ability and willingness to engage, others question the relevance of challenging an artist who has dismissed previous attempts as beneath response. As 50 Cent continues his strategy of ignoring Papoose’s disses, the feud highlights tensions between commercial success and lyrical credibility that have long defined hip-hop culture.