Rick Ross releasing “God Forgives, I Don’t” on December 13
Rick Ross Announces “God Forgives, I Don’t” Release Date
Rick Ross has officially set December 13 as the release date for his highly anticipated fifth studio album, God Forgives, I Don’t. The announcement came during an appearance on Hot 97’s In Flex We Trust radio show with Funkmaster Flex. The Miami mogul has promised fans an album that represents the “duality of man.” As a result, showcasing both his luxurious and introspective sides.
Accompanying the announcement were two new singles that highlight Ross’ musical versatility: the Just Blaze-produced “I Love My B*tches” and the Nicki Minaj-assisted “You the Boss.” The singles mark the beginning of a promotional blitz that is set to cement Ross’ status as one of hip-hop’s leading figures.
The Journey to “God Forgives, I Don’t”
Rick Ross first teased the album at the start of 2011, following the massive success of Teflon Don in 2010. Fans have eagerly awaited the project, speculating on its direction after hearing early releases like “Made Men,” a collaboration with Drake that leaked in January. However, Ross chose to focus much of the year on expanding his Maybach Music Group empire.
By mid-2011, Ross had signed rising stars Meek Mill, Wale, and Pill to MMG, securing a distribution deal with Warner Bros. Records. Hits like “Tupac Back” and “I’ma Boss” not only solidified MMG’s dominance but also allowed Ross to redefine his role as a label executive. Despite his heavy presence on tracks like DJ Khaled’s “I’m on One” and Lil Wayne’s “John,” Ross had not released a solo single until now.
Unveiling New Singles
During his radio appearance, Ross debuted “I Love My B*tches,” a track produced by Just Blaze. Over grandiose production reminiscent of early 2000s hip-hop, Ross raps about his lifestyle, vixens, and lavish experiences. “I’m trying to bring you into my world,” Ross explained, setting the stage for the album’s thematic exploration.
The second single, “You the Boss,” features Nicki Minaj showcasing her vocal talents rather than her rap prowess. The track reveals a softer side of Ross, focusing on love and devotion. “All she needs is a boss on my level who provides her every need,” Ross raps, with Minaj delivering the melodic hook. Ross spoke about his decision to highlight Minaj’s singing abilities, saying, “I wanted to collaborate with Nicki in another way—her breaking down and letting us hear her beautiful voice.”
Ross has already begun planning the video for “You the Boss,” envisioning a snowy Aspen backdrop complete with luxurious all-white chinchillas for himself and a pink one for Minaj. “We gonna shoot that video somewhere in Aspen, Colorado,” he revealed to Funkmaster Flex. So, Ross has plans of truly capitalizing on the fall season.
Themes and Expectations
Ross has described God Forgives, I Don’t as an album that explores the duality of his personality—balancing his notorious bravado with introspection. “I wanted to most definitely go to another level, make sure my sound continued to evolve and just continue to take people somewhere different,” he shared.
Fans and collaborators alike are optimistic about the project’s potential. DJ Khaled, who has worked closely with Ross throughout his career, has already labeled the album a classic. Meanwhile, Drake, who previously collaborated with Ross on “Aston Martin Music,” expressed excitement about the project, calling it one of the most anticipated releases of the year.
Reflections on 2011 and Feuds
Ross also reflected on a tumultuous year during his Hot 97 interview. His feud with Kreayshawn and her White Girl Mob made headlines after a near-altercation at the MTV Video Music Awards. However, Ross confirmed that the situation has been resolved amicably. “All is well with Kreayshawn and the White Girl Mob,” he stated.
The same cannot be said for his conflict with fellow rapper Young Jeezy. Tensions between the two escalated following Jeezy’s perceived slight on his track “Death B4 Dishonor.” While Ross refrained from going into detail, he made it clear that reconciliation is unlikely. “I don’t see peace between me and Jeezy any time soon,” he admitted.
Ross’ Momentum Heading Into December
With God Forgives, I Don’t, Ross is poised to end 2011 on a high note. The singles “I Love My B*tches” and “You the Boss” have already generated significant buzz. Therefore, hinting at the album’s potential to deliver both club anthems and introspective tracks. The December 13 release date positions Ross as a major contender for year-end accolades, and fans are already anticipating what the “Bawse” has in store.
Ross’ journey from Miami’s underground scene to global stardom continues to be a testament to his vision and work ethic. As the leader of MMG, he’s cultivated a roster of talent that has reshaped the sound and culture of hip-hop. Now, with God Forgives, I Don’t, Ross is set to redefine himself once again.
For Ross, the album represents not just a musical milestone but also a statement of his evolution as an artist and entrepreneur. As the hip-hop world awaits December 13, one thing is certain: Rick Ross is ready to solidify his legacy.
How Rick Ross Lives Up To The Boss Title
Beyond his solo endeavors, Ross has used 2011 to solidify Maybach Music Group as a dominant force in the industry. Tracks like Meek Mill’s “I’ma Boss” and Wale’s “That Way” have not only elevated his labelmates but also further established MMG as a hit-making powerhouse. The steady stream of music not only justified the bidding war, but also Warner’s winning bid. As a result, Meek Mill and Wale have instantly become rap superstars. That says a lot about Ross’ own abilities as an exec. After all, both were buried in unfavorable label deals before MMG.
Ross has also demonstrated an uncanny ability to adapt to the changing tides of hip-hop while maintaining his signature sound. His collaborations with mainstream heavyweights like Nicki Minaj and Drake showcase his versatility, appealing to both hardcore rap fans and broader audiences. As anticipation builds for God Forgives, I Don’t, Ross is setting the stage for what could be one of the defining albums of his career.